11/3/2022 0 Comments Download film dylan 1991As ever, Dylan shows little regard for his own legend, going so far as to completely changing the voice that had become his hallmark. His 1967 album John Wesley Harding found him making overtures towards the countrified sound that leapt to the fore on 1969’s Nashville Skyline. Dylan was now officially a huge global star but a motorcycle accident that year left him with serious injuries and he retreated from the public eye while he recovered.Įver the restless wanderer, Dylan was acoustic again when he returned, but still not the folkie of his early records. The result was a searing, surreal rock record that stands as one of his best, right from the careening, organ-drenched opener 'Like A Rolling Stone' to the bleakly cynical epic 'Desolation Row'.ĭylan’s electric, impressionistic period culminated with 1966’s wonderfully eccentric and hallucinatory double album Blonde On Blonde, a record that heavily featured Robbie Robertson and the band that would become The Band. While the dyed-in-the-wool folkies were up in arms over their hero’s traitorous about-face, Dylan went about releasing yet another masterpiece, this time going fully electric for Highway 61 Revisited. Pennebaker immortalised Dylan in his acclaimed documentary Don’t Look Back. 'Mr Tambourine Man' would become a huge hit for The Byrds and D.A. That became glaringly obvious on 1965’s Bringing It All Back Home, which featured sinful electric guitars and rollicking tracks such as 'Subterranean Homesick Blues' and 'Maggie’s Farm'. While Dylan’s reputation had been made as a folkie, the signs were showing that he had little interest in the confines of the genre. Another Side Of Bob Dylan, again epitomised both the fired-up protester, the cynic and the romantic across songs such as 'Chimes Of Freedom' and 'It Ain’t Me, Babe', both empowered by a songwriter allowing himself to become more and more impressionistic. Just seven months later, Dylan delivered another masterpiece. It was a far more serious album than its predecessor, maybe due to the gathering clouds of war that inspired the title track or the breakup with Suze Rotolo that inspired the broken-hearted 'Boots Of Spanish Leather'. The Freewheelin’ Bob Dylan announced its creator’s arrival with some force, particularly on protest songs 'Blowin’ In The Wind' and 'Masters Of War' and bittersweet ballads 'Girl From The North Country' and 'Don’t Think Twice, It’s Alright'.ĭylan cemented his reputation with The Times They Are A-Changing, released in 1964. But it was Dylan’s second record that would really have an impact. Dylan’s debut Bob Dylan came out later that year, mostly consisting of covers of folk standards. It was there that he crossed paths with musical Svengali Albert Hammond, who promptly signed Dylan to Columbia Records in 1961. A devoted disciple of Woody Guthrie, the young Bob spent time with the famous folkie prior to his death and rapidly established himself as singer of repute in the venues of Greenwich Village. He was born in Duluth, Minnesota as Robert Zimmerman and journeyed to New York (some say by car, he says by riding the rails) to forge his path in the city’s burgeoning folk scene. That Dylan did all this while remaining elusive, chameleonic and defiant sets him apart from almost anyone else to ever sing into a microphone.Īs with all things Dylan, the truth is often secondary to the myth. Nobody else so revolutionised the way we think about singing, songwriting, music as protest and the very definition of folk music, all in their first decade as a performer. The impact of Bob Dylan cannot be overstated.
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